Top ↑ | Archive | Ask me anything | Submit



Whites riot over pumpkins in NH and Twitter turns it into epic lesson about Ferguson, aka The Best of #PumpkinFest, PT 1. #staywoke

in this week’s episode of shit black folks would get murdered or jailed with no trial for

America is officially a sinking ship. There is no hope for this country. Cal it the Titanic.

(via steplight)


The Oscar Is Mexican: Academy Award Statuette Modeled After Emilio ‘El Indio’ Fernández

The story behind the Academy Award’s Oscar statuette is itself one fit for the movies.

It starts in the 1920s during the Mexican Revolution. Emilio Fernández was studying in Mexico’s military college when he dropped out to take up arms and support the revolutionary cause of Adolfo de la Huerta.

Forced into exile, a defeated De la Huerta left Mexico in 1924 to open a music school in Hollywood. A less lucky Fernández was captured and sentenced to 20 years in prison. However, he was only in jail for 8 months when he managed to escape. It is said he used dynamite to blow himself out of jail. He soon joined back up with De la Huerta in Los Angeles where he began working as an extra in Hollywood films.

It was in 1928 that friend and fellow Mexican Dolores del Río approached Fernández with the proposition of being the nude model for the Academy Award.

Fernández was modest and unwilling at first, but ultimately took the job, and is now forever tied to the Academy Award and its statuette, the “Oscar.”

Fernández eventually returned to Mexico where he wrote, directed and starred in dozens of films, receiving critical acclaim for several of them.

In 1946, his masterpiece, “María Candelaria,” was the first Mexican film to be screened at the Cannes Film Festival of France. It won the Grand Prix prize for best feature film. And in 2002, the U.S. Library of Congress named “La Perla,” which he co-wrote and directed with John Steinbeck, to its National Film Registry.

In Mexico, Emilio Fernández was known as “El Indio,” Spanish for “The Indian,” a tribute to his Indigenous heritage and subject of many of his films.

Fernández’s place in Mexican cinema is well known and highly regarded, but his role in American film history as both an actor and muse for the ultimate Hollywood award has been largely forgotten.

As you watch the Academy Awards ceremony Sunday night, remember the story of how a young man in Mexico went from fighting in a revolution to being the model for the “Oscar.” To El Indio Fernández!

This an updated version of a post we first published February 26, 2012.

(via uvatar-uung)



Go on home lil girl

Love this



Go on home lil girl

Love this

(via prettyandpain)




Michael Jackson Inspirerd. 30 x 41.5 Charcoal  $300.00



(via bishopmyles)


Powerful portraits of the Liberians who beat Ebola 

To help humanize the overwhelming statistics, Pulitzer Prize-winning photographer and senior staff photographer at Getty Images, John Moore, visited an Ebola treatment center of the organization, Doctors Without Borders in Paynesville, Liberia. At the treatment center, survivors spoke about the brothers, sisters, husbands and wives they lost due to the disease. They also spoke of recovery, stigmas they continue to face in their villages and renewed hope.

Follow micdotcom

(via ericjamahl)

"Stay single, fall in love with yourself first. Don’t buy into the hype. Don’t lie to get someone’s body. Don’t fool yourself into a relationship. Be clear about what you want. Make sure it isn’t a decision stemmed from loneliness. Be honest about what you need. Be honest about what you have to offer. Be satisfied with not getting what you want. Don’t manipulate. Open communication. Be blunt. Be respectful. Be happy with or without someone. Know whether you’re in bed with a one-night stand or at the pulpit for marriage, that you didn’t lie to yourself or someone else to get there."

- "Dating Mantra" by 2am-poetry  (via 2am-poetry)

(via kenthedopest)



So my facebook friend just posted this pic with this text….

Well, I just witnessed blatant racial injustice with my own eyes. I was getting in my car after exiting a store when a young black man stumbled past me and collapsed against the store wall. When I got out to see if he was okay, a group of white people came rushing over, one of whom was a 20-something white woman who declared in distress, “I ran a red light and hit him with my car!” People immediately assured her that SHE would be okay, meanwhile the young man is writhing in pain on the ground, pants leg torn, tears running down his face. When the police arrived and the young woman explained what happened, it was suggested to her that maybe the light had been yellow and that the young man had “darted out into the street into her path.” I was floored. I said, “But she just SAID she ran the red light and hit him in the intersection!” 

The police officers then led the young woman away and began talking with her privately in low tones. When the paramedics FINALLY got there I was surprised at the hostility they showed towards the young man. One blonde female EMT (shown in the photo) suggested that he couldn’t be THAT hurt if he was able to walk from the place where he was struck to the sidewalk where he finally collapsed. White bystanders commented several times about “What that poor girl must be going through.” I was the only one who commented on what the young man must be going through, what, with his mangled leg and all. I am absolutely positive that in the end “that poor girl” will be absolved of all wrongdoing and be able to go on her merry way. After all, she just ran a red light and slammed her car into the body of some black kid on a bike, right?

And people wonder why black people are so angry and want to break shit.

friendly reminder that studies have shown that white people do not empathize with Black people and we (including medical personel) also think Black people feel less pain

(via collegegentleman)